/biennale06/eng/ en Copyright 2007 Tue, 17 Oct 2006 11:32:29 +0900 http://www.sixapart.com/movabletype/ http://blogs.law.harvard.edu/tech/rss ]]> /biennale06/eng/2006/10/ogaki_biennale_2006_has_drawn.html /biennale06/eng/2006/10/ogaki_biennale_2006_has_drawn.html news Tue, 17 Oct 2006 11:32:29 +0900 The second Ogaki Biennale 2006 is due to begin. This year's theme is Janken: The Power of Chance. Ogaki Biennale 2006 is a media arts festival that will unfurl throughout Ogaki City, Gifu over the course of ten days. This year, artists came mainly from countries in Asia were invited. In addition to exhibitions in locations such as the wooden training hall for martial arts, vacant stores, temples and shrines, a somewhat odd musical will be held as well as sound events in the park where you can feel the breeze and the abundance of water in Ogaki. Admissions are free. Please come and visit. /biennale06/eng/2006/10/10.html /biennale06/eng/2006/10/10.html news Fri, 06 Oct 2006 00:24:48 +0900 The last workshop time and performance is on Monday (Holiday), Oct 9, from 14:00 – 15:00, held in Softopia Japan Center Seminar Hall.]]> /biennale06/eng/2006/10/yoshihisa_suzuki_ritsuko_matsu.html /biennale06/eng/2006/10/yoshihisa_suzuki_ritsuko_matsu.html news Tue, 03 Oct 2006 17:56:29 +0900 The official website for Gifu Ogaki Biennale 2006 was renewed. On the exhibition, events and other pages there is a plan to have a blog comment field filled in with messages from artists and staff. Everyone please feel free to post questions and messages. /biennale06/eng/2006/09/post.html /biennale06/eng/2006/09/post.html news Wed, 27 Sep 2006 14:42:54 +0900 The idea behind False Securities, Ogaki is to create an evocative and involving listening environment in which listeners are reminded of their loss of various data either by abandoning or simply not being aware of them. The performance comprises "headphone only" experiences of binaural field recordings and digitally processed sounds. ]]> /biennale06/eng/2006/09/_zulkifle_mahmod_false_securit.html /biennale06/eng/2006/09/_zulkifle_mahmod_false_securit.html performance Fri, 15 Sep 2006 20:32:00 +0900 　 This collaborative work combines traditional Indonesian shadow play (Wayang Kulit), Javanese gamelan, and Takahiro Hayakawa's hand drawn animation. Enjoy a mixture of elegant music and uniquely surreal video images.]]> /biennale06/eng/2006/09/hanajoss_elephant_ant_man.html /biennale06/eng/2006/09/hanajoss_elephant_ant_man.html performance Fri, 15 Sep 2006 20:30:40 +0900 Singapore - Oct 6 (Fri) 17:00 - 17:45 (Opening Event) 　Butokuden - Oct 7 (Sat) 16:00 - 16:45 　Four Seasons Square - Oct 9 (Mon, holiday) 18: 30-19: 30 　IAMAS Multimedia Studio The idea behind False Securities, Ogaki is to create an evocative and involving listening environment in which listeners are reminded of their loss of various data either because of abandonment or unawareness. The performance comprises "headphone only" experiences of binaural field recordings and digitally processed sounds. /biennale06/eng/2006/09/_zulkifle_mahmod_false_securit.html /biennale06/eng/2006/09/_zulkifle_mahmod_false_securit.html performance Fri, 15 Sep 2006 20:26:42 +0900 "A sharp, lucid and careful tour around technology's reassembly of the body." This work is an attempt to communicate the sound of the silent body to the public mind by using periodic signals of human bodies in the environment of a hospital. Interactions between sound and spectator come out strongly in the surprising links between status and health. The conclusion is that in the moment we see someone do something, the same parts of our brain are activated "as if" we were doing it manually. Collaboration: Vindriyanto (Yance) + Anton Christanto]]> /biennale06/eng/2006/09/_venzha_christ_icu_icu_in_ma_m.html /biennale06/eng/2006/09/_venzha_christ_icu_icu_in_ma_m.html performance Fri, 15 Sep 2006 20:25:49 +0900 A mysterious avant-pop musical with song, performance and dance. Back when a man is an elementary school boy, Janken (rock-paper-scissors) games determine the courses of a his episodes on the way home, performed while hopping from one venue to the next across the city of Ogaki.]]> /biennale06/eng/2006/09/dracom.html /biennale06/eng/2006/09/dracom.html performance Fri, 15 Sep 2006 20:25:05 +0900 The work is an installation in the form of a detective story awaiting its author. Missing person notices, a mysterious creature that haunts cities by night, patchwork maps of crime scenes, hints of a trail and a mirage of motives fill filing cabinets. Investigations demand to be undertaken.]]> /biennale06/eng/2006/09/raqs_media_collectivefive_piec.html /biennale06/eng/2006/09/raqs_media_collectivefive_piec.html main_exhibition Fri, 15 Sep 2006 20:13:00 +0900 In most fairy tales, the heroine owes her happy ending to the power of luck. What if Snow White hadn't stumbled upon the house of the seven dwarfs? If the Prince, by chance, hadn't come down that fateful road and found Snow White, would she have found happiness? Now it’s your turn to create a new ending. ]]> /biennale06/eng/2006/09/_seo_hyo_jung_snow_white_on_th.html /biennale06/eng/2006/09/_seo_hyo_jung_snow_white_on_th.html main_exhibition Fri, 15 Sep 2006 20:10:35 +0900 This is an audiovisual canon using household objects. The title is a combination of the following words: Huli: Tagalog for "to be delayed", "to catch up" Uli: Tagalog for "again" Likot: Tagalog for "restlessness" Ikot: Tagalog for "cycle", "to go around" Kotekan: Balinese for "interlocking melodies" Teka: Tagalog for "wait a moment"]]> /biennale06/eng/2006/09/_tad_ermitano_hulikotekan_v21.html /biennale06/eng/2006/09/_tad_ermitano_hulikotekan_v21.html main_exhibition Fri, 15 Sep 2006 20:07:54 +0900 While a doorway to a garden makes visible just the part it frames, this installation frames the abstract garden of surveillance technology, mixing themes like data processing and private space.]]> /biennale06/eng/2006/09/_tad_ermitano_shift_register.html /biennale06/eng/2006/09/_tad_ermitano_shift_register.html main_exhibition Fri, 15 Sep 2006 20:03:50 +0900 In this video, "field" is used as a metaphor symbolizing soil for growth. The memory of soil of things that existed or happened on it becomes a determining factor of what can grow on it. Consciousness is not something as perceivable and conceivable as soil, however it is a key to understand the mystery of karma.]]> /biennale06/eng/2006/09/_jamsen_law_field_of_conscious.html /biennale06/eng/2006/09/_jamsen_law_field_of_conscious.html main_exhibition Fri, 15 Sep 2006 20:03:15 +0900 Shinta Inoue, a two-dimensionally working artist, sends a four-legged creature drawn onto panels "grazing" in the city. His real-space sessions with the H.584 film team make up a video diary that is going to be screened at the end of the Biennale.]]> /biennale06/eng/2006/09/_h584_in.html /biennale06/eng/2006/09/_h584_in.html main_exhibition Fri, 15 Sep 2006 20:02:14 +0900